Still exploring the intricacies of dramatic lighting. I mentioned before that I've never really drawn in this style before although I've long admired the look of that noir drawing style. In the last panel I figured that if the lights when down, SCOM's screen would be the only thing giving off light, and tried to use that to inform my lighting decisions.
You'll also notice in panel three that I've employed an interesting little lesson I learned a while ago: The expression of a character speaking must match the emotion of the last thing he says in a panel, not the first. People tend to read the word bubbles and then look at the pictures, so, if you don't match the expression to the last emotion, the pictures won't make sense. I learned that back in Search and Research 93 where SCOM discovers his missile has been replaced by a telescope. His face matches the first part of what he says rather than the last part, and the panel just winds up being weird because he looks mortified rather than slyly pleased. Ok, that little tip is free. Enjoy!
- eli
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